Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it from the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for that unrest? Katniss. And what's worse, President Snow has caused it to be clear that nobody else remains safe and secure either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one in the most talked about books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended being a trilogy. Did it genuinely end the way in which you planned it from the beginning?

A: Very much so. While I did not know every detail, of course, the arc in the story from gladiator game, to revolution, to war, for the eventual outcome remained constant throughout the writing process.

Q: We understand you worked around the initial screenplay for any film to be according to The Hunger Games. What will be the biggest distinction between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. When you find yourself adapting a novel in a two-hour movie you simply can't take everything with you. The story has to be condensed to match the new form. Then there's the question of how best to consider a magazine told inside the first person and provides tense and transform it in to a satisfying dramatic experience. In the novel, you don't ever leave Katniss for a second and therefore are privy to all of her thoughts so you will need a way to dramatize her inner world and to create it possible for other characters to exist outside of her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A large amount of situations are acceptable over a page that may not be over a screen. But wait, how certain moments are depicted will ultimately be inside the director's hands.

Q: Have you been in a position to consider future projects while working on The Hunger Games, or are you immersed inside world you might be currently creating so fully who's is simply too hard to consider new ideas?

A: We have a number of seeds of ideas boating within my head but--given that much of my focus remains on The Hunger Games--it will likely be awhile before one fully emerges and I can begin to develop it.

Q: The Hunger Games is a yearly televised event in which one boy then one girl from each from the twelve districts is made to participate in a very fight-to-the-death on live TV. What can you imagine the selling point of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an fascination with seeing who wins. The contestants are usually unknown, which means they are relatable. Sometimes they've very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I find very disturbing. There's also the opportunity for desensitizing the audience, to ensure once they see real tragedy playing out on, say, the news, it won't hold the impact it should.

Q: If you were made to compete in the Hunger Games, what can you believe your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope could be to have hold of a rapier if there were one available. But the facts is I'd probably get in regards to a four in Training.

Q: What would you hope readers will come away with once they read The Hunger Games trilogy?

A: Questions about how elements of the books might be relevant in their own lives. And, if they are disturbing, what you might do about them.

Q: What were some of your favorite novels when you had been a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time it can be for world control. While it is really a clever twist about the original plot, it indicates that there is certainly less focus on the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life right into a less vibrant Katniss by showing her despair both at those she feels accountable for killing and and also at her own motives and choices. This is definitely an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels and also the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are well evidenced in his voice, which goes from rage to puzzlement to an unsure return to sweetness. McCormick also helps to make the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and unique challenges of every with the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.