Saturday, February 25, 2012
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Former L.A. Times crime reporter Corwin (Homicide Special: Per Year using the LAPD's Elite Detective Unit) introduces an engaging Jewish police detective in his first novel, a grittily realistic story of murder, stupidity, and redemption. Ash Levine, the LAPD's top detective, resigns after his suspension for failing to avoid the death of a key witness he was supposed to protect. A year later, Ash's former boss invites him to guide the investigation into an ex-cop's murder. Levine returns for the force, looking to reopen the case that cost him his job, though few people in the department is thrilled to determine him back. A jazz lover (hence the Miles Davis–inspired title), the son of your concentration camp survivor, along with a veteran with the Israeli Defense Forces, Ash battles through departmental interference, corruption, and misdirection. Given his strong debut, Ash should come back for the job for further assignments. (Nov.) (c)
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*Starred Review* Eleven months after he leaves the LAPD, Ash Levine, formerly the top detective in the elite Felony Squad, is lured returning to solve the murder of ex-cop Pete Relovich, which interests department brass as the victim also was the son of an cop. But Levine is motivated from the opportunity to come back to another case, one that resulted in his suspension and ultimate resignation and that still haunts him: the murder of his witness, Latisha Patton, whom he was can not protect. Levine can be a dogged, intuitive detective who doesn’t rest when details don’t make sense, but there’s more to him than his work. He’s a guy which has a stereotypical Jewish mother who’s prone to women he meets in the investigations; he has flashbacks to his combat with the Israeli Defense Force in Lebanon; and that he is soothed by Miles Davis’ jazz (hence the allusion inside the novel’s title). Former LA Times crime reporter Corwin, whose unfettered use of LAPD units provided the fabric for such nonfiction act as Homicide Special (2003), clearly knows the technical stuff. His procedural facts are spot-on, but he also knows the way to generate adrenaline-producing action, anf the husband gets in to the very heart and soul of his multifaceted protagonist. This fine first novel marks the arrival of your strong new voice in hard-boiled crime fiction. --Michele Leber
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